Don’t Go It Alone

Some unedited thoughts:

I’ve realized how easy it is as a writer to draw into yourself completely, to shut out the world and retreat into your little lonely space. Sometimes this is necessary to get crap done. Actually, a lot of times it is necessary.

But it is also a danger to stay there. I’m starting to learn how important community is. Like, really, really important. How support from like-minded people can help you reach your full potential.

No one tells you how to become a writer. You just are. You are a writer if you write. There is talent. There is hard work. Then there’s that secret, elusive element of “the path.” But this path can never be navigated alone.

I’m pretty sure I keep trying though. And then I keep running into walls, and falling down cliffs, into really dark uncomfortable spaces, where I don’t know how to move forward.

The writer’s life is a lonely life. You are inside your own mind a lot of the time. Because that’s your job. You use your brain and you pump out creativity and ideas into sentences. Words are your translation. But words are finicky and frustrating and it’s so easy to get lost on the page.

So here’s my advice: find a coach, a mentor, a writing group. People of the same career path, but of a different experience. These people will become essential to the path. They will be your antennae, your GPS. You don’t even need a lot of them. Maybe two or three, as long as they are constant.

**beep** **beep** **bloop** **just checking in…** **turn here** **have a beer** **don’t cry** **pull yourself together** **I’m here**

Tunage Tuesdays: Shakey Graves Album Review

Shakey Graves, Released Oct. 07, 2014
And The War Came, Released Oct. 07, 2014

Alejandro Rose-Garcia, or Shakey Graves as the nation now knows him, was a one-man rambling band (complete with a kick drum made from an old suitcase) who made his way from live shows in New York City to the underground freak folk world of LA. Now that he’s considered by NPR Music as “one of the top ten musicians you missed listening to in 2012” he’s finally settled in Austin and has created his own “music house” from which his most recently released and highly-praised album And The War Came was created.

This newest album, released by Dualtone Records (Shovels & Rope, The Lumineers, Noah Gunderson), seems to reflect the geographies of Shakey’s developing music career. You’ll find twangy Cash-like country songs, mixed with bluesy rock singles in the vein of The Black Keys, added to baroque pop, alt-folk, and dreamy acoustics. It’s as if Shakey is not quite sure what kind of music he wants to make just yet.

Although the album as a whole seems jumbled and disconnected, the individual songs reflect Shakey Graves’ musicality and technical ability. Layered on top of talented guitar picking or rhythmic electric riffs, Alejandro’s voice takes us through emotional jumps and rivers. One minute he’s so smooth and the next he’s yelping and crooning. Added to Esme Patterson’s harmonies on songs like “Dearly Departed” and “Big-Time Nashville Star,” we’re reminded of a Johnny and June duet, but with a modern beat-driven twist.

His potential and his talent to create are immense. But And the War Came feels more like a portfolio– this is where I’ve been and this is all that I can do– rather than a work of art. I believe in Shakey as a musician and I’m a fan. But next time I want a story; I want something that flows. I can’t wait for Shakey Graves to come into his own, to surprise us in a better way with an even better, cohesive curation.

(Let me know what you all think! Did you like And the War Came? Thoughts? Comments?….)